On May 15, 1982, “Ebony And Ivory” takes the top spot in the Billboard Hot 100 , holding the spot for seven weeks. Recorded as a duet with the great Stevie Wonder, it was the biggest hit record of Paul McCartney’s post-Beatles career. McCartney had been a fan of Stevie Wonder’s for many years before they first met. He even included a Braille message for Stevie—”We love you”—on the back of his 1973 Wings album Red Rose Speedway. Wonder spent the 1970s recording a string of incredible albums that often included songs expressing a strong social consciousness. It’s not surprising, then, that McCartney thought of Stevie Wonder as a duet partner for “Ebony And Ivory.” Stevie Wonder agreed, and his duet with Paul McCartney not only yielded a smash-hit record that topped the charts on this day in 1982, but it also continued a trend toward pop music power-couplings that was particularly prevalent in the early 1980s. Following on the late 70s success of pairings like Barbra Streisand and Neil Diamond (“You Don’t Bring Me Flowers,” 1978), the period from 1981-1983 witnessed a significant boom in hits from such A-list power couples, including “Stop Draggin’ My Heart Around” (Stevie Nicks and Tom Petty, 1981), “Endless Love” (Diana Ross and Lionel Richie, 1981), “Islands In The Stream” (Kenny Rogers and Dolly Parton, 1983) and “Say Say Say” (Paul McCartney and Michael Jackson, 1983).